It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Suddenly, out of the mist, she heard voices. The waiter was standing beside him with the bill. She reached out her hand and took it. The usual few mistakes had occurred. She explained them, good temperedly, and the waiter, with profuse apologies, went back to have it corrected.!

Mary Stopperton laughed. “He is quite right, dear,” she said. “It does seem to come, and it is so hard. You have to pray and pray and pray. And even then we cannot always do it.” She touched with her little withered fingers Joan’s fine white hand. “But you are so strong and brave,” she continued, with another little laugh. “It won’t be so difficult for you.” “What do they say?” he demanded.

He was sitting on the front seat, facing her. “I’m glad I went,” he said with sudden vehemence. “I loved watching you, moving about among all those people. I never knew before how beautiful you are.” She was a little piqued at his unexpected attitude of aloofness. What did he mean by a “noble marriage”—to a Duke, or something of that sort? “I like the houses, too,” he said. “There’s a character about them. You don’t often find such fine drawing-rooms in London.”